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The father refuses, preferring to have them interred in a family plot. Ennis goes to Jack's bedroom where he finds his bloodstained shirt in the closet. He discovers Jack kept it hanging with his own shirt from a fight they had that summer. Ennis holds the shirts to his face and silently weeps. Later, a year-old Alma Jr. She asks for his blessing and invites him to the wedding. Once Alma Jr. Teary eyed, he stares at the ensemble for a moment before walking away. Credits adapted from TV Guide.

Screenwriter Diana Ossana discovered Annie Proulx 's short story, Brokeback Mountain , in October , just days after its publication. She convinced writing partner Larry McMurty to read it, who thought it was a "masterpiece". The pair asked Proulx if they could adapt it into a film screenplay; although she did not think that the story would work as a film, she agreed.

Ripley , then a cowboy movie All the Pretty Horses. I can't follow it up with a gay-cowboy movie! Joel Schumacher was also linked with the project at one point.

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At Ossana's request, Schamus showed the story and screenplay to director Ang Lee. In , he considered retirement but Brokeback Mountain came back to his mind and tempted him back into filmmaking. Lee said, "Towards the end [of the script] I got tears in my eyes".

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Casting director Avy Kaufman said Lee was very decisive about the actors for the lead roles. In , screenwriters Ossana and McMurty suggested Heath Ledger after being impressed by his performance in Monster's Ball , but the film studio thought he was not masculine enough. Regardless, Kaufman sent the script to Ledger, who thought it was "beautiful" and put himself forward.

Gyllenhaal admired Ledger and described him as "way beyond his years as a human". From the beginning, Ledger wanted to portray Ennis and not Jack. He opined that Ennis was more complex; a masculine and homophobic character. Ledger said, "The lack of words he [Ennis] had to express himself, his inability to love", made the role enjoyable. That what ties these two characters together is not just a love, but a loneliness.

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I think primarily it was deep loneliness. And what I always say about that movie [Brokeback Mountain], which I think maybe over time is more understood, is that this is about two people desperately looking for love. To be loved. And who were probably capable of it. And they just found it with someone of the same sex.

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And that does not dismiss the fact that it is about, really, primarily, the first kind of very profound gay love story. Hopefully it can create an equality of an idea: that is, it's possible that you can find love anywhere. That intimacy exists in so many places that convention and society won't always allow us to see. And we won't allow ourselves to see, because of what criticism — and danger, really — it might provoke.

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Lee interviewed between 20 and 30 actresses for the roles of Alma and Lureen. Michelle Williams was one of the first to audition for the role of Alma, and Lee thought she was perfect for the part. She was wearing a ball gown and hairpiece "that was way over the top", but she still felt focused for the audition.

Hathaway lied to Lee about her knowledge of horse riding in order to cast her. Lee was happy with Ledger and Gyllenhaal portraying Ennis and Jack, respectively, because he thought their "young innocence" will help carry a love story until the end. Lee added, "I think these two are among the best in their age group [ The chemistry, I think, is great. Principal photography began in the summer of Lee was given a tour of the locations from the story in Wyoming by Proulx, but chose to shoot in Alberta citing financial reasons.

Other scenes were filmed in Cowley , Fort Macleod , and Calgary. Initially, Alberta's environmental department prohibited the crew from bringing domestic sheep into the Rockies, due to a risk of disease harming the local wildlife. The authorities eventually gave permission for them to shoot on one mountain, as long as they transported the domestic sheep in and out, every day.

A biologist was hired to supervise this process. Lee prefers working with cinematographers who are open minded, eager to learn, and able to show an interest in the story and content before talking about the visuals. Ledger and Gyllenhaal, who were friends before Brokeback Mountain , were mostly unconcerned with the intimate scenes.

The director would keep his distance from them during filming, allowing the actors to be free and spontaneous. Lee said, "I don't talk too much [to them] except for technical notes. So they [the intimate scenes] are a lot easier to deal with". During the last scenes where Ennis meets Jack's parents, production designer Judy Becker was tasked in finding a suitable house. Lee took inspiration from painters Andrew Wyeth and Vilhelm Hammershoi for the white interior walls. Using two cameras, Lee would capture the actors from both angles, and then change lenses and repeat.

The actors who played Jack's parents, Roberta Maxwell and Peter McRobbie , said Ledger was very quiet and gave a "powerful performance". Executive producer Michael Hausman rented Airstream trailers for the cast and crew to sleep in. He created an on-set atmosphere which mimicked a summer camp, where people could bond and feel close.

Hausman recalled that they would sit around the fireplaces, cook food and go fishing on the creek. Williams sprained her knee in the early days of filming, therefore, her character's movements were altered to be either sitting or standing most of the time. Ledger also injured his hand when he punched a wall for a scene.

During post-production, Geraldine Peroni and Dylan Tichenor served as film editors, but Peroni died in August and Tichenor took over. Gustavo Santaolalla scored the film's soundtrack, which consists of seventeen tracks as well as songs from Bob Dylan and Roger Miller. The album was released on October 25, On January 20, the film opened in 1, theaters, then 1, theaters on January 27, and 2, theaters on February 3, its widest release.

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Brokeback Mountain was released in one theater in London on December 30 and received a wider release in the United Kingdom on January 6, In its first week of release, Brokeback Mountain was in third place at the French box office. Brokeback Mountain was released in many other countries during the first three months of It is the highest-grossing release for Focus Features. The film has been given different titles in accordance to different languages and regions. The film was met with mixed responses in some regions, particularly China and Islamic nations of western Asia.

The Chinese government said the audience would have been too small; the foreign media accused the government of censorship. In the Middle East, distribution of the film became a political issue. Homosexuality is considered a crime in most Islamic nations and is taboo in the few countries where it is legal. Lebanon was the only Arab country to show the film, although in a censored format.

The film was officially banned from screenings in the United Arab Emirates ; however, the DVD of the film was permitted to be rented from stores such as Blockbuster Video. On December 8, , the Italian state-owned television channel Rai Due aired a censored version of the film, removing all the scenes with homoerotic references.

Viewers protested, saying the deletions made the plot hard to follow. The Arcigay organisation accused the channel of homophobic censorship. RAI showed an uncensored version of the film on March 17, Brokeback Mountain was the first major film to be released simultaneously on both DVD and digital download via the Internet.

Brokeback Mountain opened to positive reviews upon its release. The site's critical consensus reads, "A beautifully epic Western, Brokeback Mountain ' s love story is imbued with heartbreaking universality, helped by moving performances by Heath Ledger and Jake Gyllenhaal. David Ansen of Newsweek gave the film a positive review, praising the faithful screenplay. He adds, "There's neither coyness nor self-importance in Brokeback Mountain —just close, compassionate observation, deeply committed performances, a bone-deep feeling for hardscrabble Western lives.

Few films have captured so acutely the desolation of frustrated, repressed passion. Bradshaw thought the film was "extremely moving, tragic even, and sensitive towards the feelings of the simple wives who attempt to understand their troubled husbands. In particular, she thought Ledger was impressive in his portrayal of a reserved and emotionally affected Ennis.